| Lenise 
              Bentmixer l engineer l producer
 POST-AUDIO MIXER/EDITOR l FOREIGN DUBBING SUPERVISOR/ 
              ARCHIVIST l INSTRUCTOR
 

 Watch 
              Lenise Bent Interview from Village Studios Here!Courtesy of Record Production, Babblefish and studioexpresso
 History: 
              Born in Los Angeles, Lenise started her career at the early 
              age of 8 in the Screen Childrens Guild, doing extra work in 
              the TV and film industry. She already had her first tape recorder 
              by then which she had begged for and received on her 8th birthday. 
              Coming from a musical family, singing and performing were a part 
              of everyday life, with Lenise studying piano and flute and making 
              her first recording with the Compton Youth Symphony Orchestra at 
              9 years old. Throughout high school she split her time between seeing 
              films and live music every chance she got and eventually went on 
              to study film & TV and radio production at USC & Cal State 
              Long Beach. As her passion for music began to dominate her life 
              Lenise shifted her studies to audio engineering at SoundMasters 
              Recording Institute, one of the only recording schools in existence 
              at that time. Soon after graduation she started her recording career 
              as an assistant engineer at The Village Recorders in Los Angeles, 
              working on several albums including Aja by Steely Dan, 
              Breakfast in America by Supertramp and Tusk 
              by Fleetwood Mac. Later she became chief engineer for producer Mike 
              Chapman recording the platinum selling record AutoAmerican 
              for Blondie plus several of Chapmans other artists such as 
              The Knack and Suzi Quatro, recording at a variety of studios which 
              include The Record Plant, Air London and United Western, which later 
              became Ocean Way, then Cello, and now EastWest Studios.
 Eventually Lenise moved into post-production mixing, editing and 
              supervising where she still works with all types of audio, from 
              music to voice-over, ADR and foley. She has traveled all over the 
              world for Dreamworks, supervising & producing vocals and dialogue 
              for their foreign language versions of films including SHREK, SPIRIT 
              & SHREK 2.
 
 Lenise is a long-standing member of NARAS, AES, The Blues Foundation 
              and the Producers and Engineers Wing of the Recording Academy and 
              is on the board of directors of the Los Angeles chapter of Women 
              in Music. She is also a production coordinator with Active Music, 
              a non-profit organization that raises awareness and money for other 
              non-profits through the music community.
 
  Robert 
              Fleishchman's CD "Look at the Dream" mixed at Glenwood 
              Place on the Neve 8068. l-r: Robert Fleischman, artist, singer/songwriter/producer 
              (formerly with Journey; wrote several of their hits including "Wheel 
              in the Sky"); Lenise Bent, mixer, production coordinator
 Current Credits: 
              Lenise periodically teaches master classes at various recording 
              schools including SAE-LA and Citrus College on Studio Budgets, 
              Protocols and Etiquette, Location Sound, Foley and Hard 
              Effects and History of Audio Recording which she 
              conducts at the Grammy Museum. She also consults with professional 
              singer/songwriters helping them understand professional recording 
              techniques, critical listening and how to best use their personal 
              recording environments and gear.
 
 Five years ago Lenise returned to her true love, music, and is recording, 
              producing and consulting with up-and-coming independent artists 
              as well as seasoned professionals. She believes there are 
              only two kinds of music
good and bad. I love working on all 
              styles
as long as its in the first group.
 
 
 
       Lenise with legendary bluesman Pinetop 
              Perkins
 Contact: Lenise Bent Soundflo Productionse-mail: [email protected]
 
   copyright 2004 studioexpresso
 updated 2010
 
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