> home page
John Rodd John has worked internationally in a wide array of recording environments from small studios to the largest scoring stages in the world, including seven years as orchestral scoring recordist at 20th Century Fox's legendary Newman Scoring Stage in Los Angeles. He has recorded everything from soloists, small ensembles, singers and rock bands to 100+ piece orchestras. In addition, John owns a private studio for recording, surround sound mixing, and mastering.
From a very young age John was exposed to a wide variety of the arts, from film, live theater, and fine arts to orchestral music, jazz and rock. John studied trumpet and saxophone in high school, and played keyboards and bass in various rock/pop bands. He holds a Bachelors of Applied Arts degree with majors in photography and video. He has also worked as a crew member on TV series, feature films, interactive media design, and as a video editor.
In 1989 John began as an assistant engineer at Manta Sound. He was soon working with artists such as Celine Dion, Rush, Buddy Guy, Liza Minelli, and film composers such as John Debney, Howard Shore, Angelo Badalamenti, and Marvin Hamlish. In 1995 John began 15 months at the prestigious Banff Center for the Arts, recording classical, jazz and film score projects. World famous Ocean Way Studios brought him to Los Angeles in 1996. Highlights of this time included working with The Rolling Stones, Porno for Pyros, Eric Clapton, The Red Hot Chili Peppers, Michael Jackson, Whitney Houston, Ry Cooder, Madonna, Boys 2 Men, and many orchestral overdub sessions.
Following the
recommendations of John Kurlander and Ry Cooder to top executives
at Fox in 1997, John was hired on staff at the Newman Scoring Stage,
returning him to his roots of film scoring. John travels
when possible, including trips to Nepal, where he has hiked alone
for 2 weeks in the Himalayas, and to the north of India where he
was blessed by His Holiness, the Dalai Lama. Living in Los Angeles
affords him the opportunity to landsail, carveboard, and sea kayak
in his spare time. Rodd who knows a thing or two about making great recordings of music for film and tv (Hollywood blockbusters to include: Seabiscuit, The Matrix (trilogy), Lemony Snicket and I, Robot) has been featured at West LA Music discussing microphones to mixing. John mixed the large orchestral cues in 5.1 surround for John Frizzell's (Alien: Resurrection, Cradle 2 the Grave) original score for Buena Vista / Disney feature film "Primeval" directed by Michael Katleman. Other projects include 5.1 surround mixing of score for Sony Pictures sci-fi action film "Ultraviolet"; mixing the orchestral score for the video game "Onimusha 4 - Dawn of Dreams" for Sony PS2 (which won the M.P.S.E. Golden Reel award for best sound editing); mixing the 5.1 score for DreamWorks short animated film "The Penguin Christmas Caper" and many other feature film score projects. Current
credits: John was nominated for "Best Scoring Mixer"
at the Film and TV Music Awards for 2007. He has worked with composer
Jamie Christopherson who has been nominated for numerous Game Audio
Network Guild (G.A.N.G.) awards this year including score for The
Golden Compass video game that's nominated for Music Of The Year.
Composer George
Shaw was awarded a Gold Medal for Artistic Excellence for his score
for the feature film J-OK'EL at the fourth annual Park City Film
Music Festival which John recorded and mixed the orchestral score.
Congratulations George and John!
|
