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to Krall('05), it's Schmitty!
an unparalleled 15 (fifteen) Grammy Awards for engineering, Schmitt
epitomizes great recording through decades of technological change.
The legendary and world-renowned
recording engineer added his most recent Grammy in 2002 for Diana
krall's "Look of Love" to his long list of accomplishments.
Known for the singular artistry he brings to his recordings, Schmitt
captured his first Grammy for Best Engineered recording in 1962
for Henry Mancini's "Hatari". Nine subsequent Grammy's
in the same category stretched through the decades: 1976: George
Benson's "Breezin'", 1977: Steely Dan's "Aja",
1978: Steely Dan's "FM (No Static At All)", 1982: Toto's
"Toto IV", 1991: Natalie Cole's "Unforgettable,"
1996: Quincy Jones' "Q's Jook Joint," Diana
Krall's "When I Look In Your Eyes," and
two Latin Grammy Awards in 2000: Luis Miguel's “Amarte Es Un Placer.”
This year Al
was given a special merit or Trustees
at the 48th Annual GRAMMYs.
a child living in New York City, Schmitt would catch the subway
on weekends to spend the day at his uncle's recording studio, observing
different engineering techniques. At 19, Schmitt began working with
Tom Dowd at Apex Studios in New York City. He worked as an independant
engineer at Atlantic Records and Prestige Records, and after moving
to California, he started working at Radio Recorders. RCA Records
hired Schmitt as a staff producer for their label and a staff engineer
at their Hollywood studio. This let Schmitt develop his wide-ranging
engineering skills by working with the various pop, jazz, classical,
and country ...
albums and shows in a variety of musical genres with some of the
top singers and musicians in the industry, including Barbara Streisand,
Madonna, Steely Dan, Ray
Charles, Vanessa Williams, Frank Sinatra, George Benson and
Quincy Jones. Schmitt's
celebrated engineering and mixing skills are showcased on over 150
gold and platinum albums. In '97 Al became an inductee into the
TEC Awards Hall of Fame.
who has worked with Krall on her past five albums, agrees with Grammy
voters that this one was special: “There was a feeling to it, a
certain mood, all the way through that was really, really nice.
It's the kind of record you want to put on at night, kick off your
shoes; it's very relaxing. It was a beautiful record produced by
my dear friend, Tommy LiPuma. We recorded the vocals and rhythm
section live at Avatar in New York. Then we went to London and recorded
the London Symphony in The Beatles' old studio at Abbey Road, Studio
Two. After that, we came back to L.A. and did a couple of fixes
in Capitol Studio A, and then I mixed it at Capitol Studio C on
a Neve, ” says Schmitt. Al worked
on a television special and DVD with Diana Krall and recording sessions
with Natalie Cole, Kenny Rankin, Tony Braxton and Dee Dee Bridgewater.
recently Al Remixed Joni Mitchell's Songs of a Prairie Girl,
engineered Trumpeter Chris Botti, engineered and mixed Michael Bublé's
debut and Paul Anka's Rock Swings.
Schmitt bio on the Verve Artist page here!
Schmitt Web site here
of a Trustee Award at the 48th Annual Grammy Awards in 2006
copyright 2004 studioexpresso